{"id":1856,"date":"2021-12-11T18:18:43","date_gmt":"2021-12-11T11:18:43","guid":{"rendered":"https:\/\/kafein.or.id\/research\/"},"modified":"2021-12-13T13:53:32","modified_gmt":"2021-12-13T06:53:32","slug":"research","status":"publish","type":"page","link":"https:\/\/kafein.or.id\/en\/research\/","title":{"rendered":"Research"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-page\" data-elementor-id=\"1856\" class=\"elementor elementor-1856 elementor-1702\" data-elementor-settings=\"[]\">\n\t\t\t\t\t\t<div class=\"elementor-inner\">\n\t\t\t\t\t\t\t<div class=\"elementor-section-wrap\">\n\t\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-bc54b3a elementor-section-height-min-height elementor-section-boxed elementor-section-height-default elementor-section-items-middle\" data-id=\"bc54b3a\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t\t\t<div class=\"elementor-row\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-2ae372d\" data-id=\"2ae372d\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-column-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t<div class=\"elementor-widget-wrap\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-15cfcf0 elementor-widget elementor-widget-heading\" data-id=\"15cfcf0\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<h1 class=\"elementor-heading-title elementor-size-default\">Research<\/h1>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-e0ce2c4 elementor-widget-divider--view-line elementor-widget elementor-widget-divider\" data-id=\"e0ce2c4\" data-element_type=\"widget\" data-widget_type=\"divider.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-divider\">\n\t\t\t<span class=\"elementor-divider-separator\">\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-daa6d58 elementor-widget elementor-widget-text-editor\" data-id=\"daa6d58\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-text-editor elementor-clearfix\">\n\t\t\t\t<p>KAFEIN as a professional film scholars and researchers association has conducted several research projects. KAFEIN members conduct research as teams and individually on topics relevant to their cross-disciplinary background. KAFEIN has members who have expertise in many field. With these available resources, KAFEIN is open to collaborations with research and cultural institutions interested in film and cinema studies. <\/p>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-b397689 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"b397689\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t\t\t<div class=\"elementor-row\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-2c653ab\" data-id=\"2c653ab\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-column-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t<div class=\"elementor-widget-wrap\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-0c14946 elementor-widget-divider--view-line_text elementor-widget-divider--element-align-left elementor-widget elementor-widget-divider\" data-id=\"0c14946\" data-element_type=\"widget\" data-widget_type=\"divider.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-divider\">\n\t\t\t<span class=\"elementor-divider-separator\">\n\t\t\t\t\t\t\t<h2 class=\"elementor-divider__text elementor-divider__element\">\n\t\t\t\tEconomic Films\t\t\t\t<\/h2>\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-8d848ae elementor-widget elementor-widget-text-editor\" data-id=\"8d848ae\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-text-editor elementor-clearfix\">\n\t\t\t\t<p>In 2019, KAFEIN in collaboration with Bower Group Asia, a research institute working for DISNEY, successfully conducted a series of studies related to the impact of films on the economy. The study involved KAFEIN members with similar research and publication interests. This research has contributed not only to the study of film, but to how film can have a multiplied influence on regional and state economies. Research is conducted with various methods; both qualitative and quantitative, desk and field studies. This research is KAFEIN&#8217;s contribution in providing film and economic studies to policy makers. After the elimination of films from the negative investment list, this research can build the promising development of the creative industry in Indonesia. <\/p>\n<p>This research produced five research papers with a variety of topics ranging from the fashion industry, music, tourism, to the economic influence on the micro level in the region and macro at the state level. Here are five publications that will be published in the Journal of Economic Film.<\/p>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-1498c13 elementor-position-left elementor-vertical-align-top elementor-widget elementor-widget-image-box\" data-id=\"1498c13\" data-element_type=\"widget\" data-widget_type=\"image-box.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<div class=\"elementor-image-box-wrapper\"><div class=\"elementor-image-box-content\"><span class=\"elementor-image-box-title\">Estimating Direct Income and The Multiplier-Effect of Film Productions in Yogyakarta<\/span><p class=\"elementor-image-box-description\"> Tito Imanda - BPI - The Indonesian Film Board<\/p><\/div><\/div>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-eacbd24 elementor-position-left elementor-vertical-align-top elementor-widget elementor-widget-image-box\" data-id=\"eacbd24\" data-element_type=\"widget\" data-widget_type=\"image-box.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<div class=\"elementor-image-box-wrapper\"><div class=\"elementor-image-box-content\"><div class=\"elementor-image-box-title\">The Film Multiplier Effect on the Fashion Industry: \u201cBaju Koko Black Panther\u201d Phenomena and the Unexplored Potential of Film Merchandising in Indonesia <\/div><p class=\"elementor-image-box-description\">Rhino Ariefiansyah - Universitas Indonesia<\/p><\/div><\/div>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-419402b elementor-position-left elementor-vertical-align-top elementor-widget elementor-widget-image-box\" data-id=\"419402b\" data-element_type=\"widget\" data-widget_type=\"image-box.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<div class=\"elementor-image-box-wrapper\"><div class=\"elementor-image-box-content\"><span class=\"elementor-image-box-title\">The Economic Impact of Film Industry towards Music Industry and the Challenge of the Digital <\/span><p class=\"elementor-image-box-description\">Era Muria Endah Sokowati - Universitas Muhammadiyah Yogyakarta<\/p><\/div><\/div>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-9223f9a elementor-position-left elementor-vertical-align-top elementor-widget elementor-widget-image-box\" data-id=\"9223f9a\" data-element_type=\"widget\" data-widget_type=\"image-box.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<div class=\"elementor-image-box-wrapper\"><div class=\"elementor-image-box-content\"><span class=\"elementor-image-box-title\">For the Sake of Film Pilgrims and Film Travelers : The Impact of the Laskar Pelangi and Ada Apa Dengan Cinta 2? in Improving Regional Economy<\/span><p class=\"elementor-image-box-description\">Ekky Imanjaya - Film Department, School of Design, Bina Nusantara UniversitydanSazkia Noor Anggraini - Film and Television Department, Faculty of Recorded Media Arts, Institut Seni Indonesia Yogyakarta<\/p><\/div><\/div>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-fe26d1c elementor-position-left elementor-vertical-align-top elementor-widget elementor-widget-image-box\" data-id=\"fe26d1c\" data-element_type=\"widget\" data-widget_type=\"image-box.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<div class=\"elementor-image-box-wrapper\"><div class=\"elementor-image-box-content\"><span class=\"elementor-image-box-title\">Measuring the Economic Capacity of the Indonesian Film Industry<\/span><p class=\"elementor-image-box-description\">Eric Sasono - King\u2019s College, University of London<\/p><\/div><\/div>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-6112028 gallery-spacing-custom elementor-widget elementor-widget-image-gallery\" data-id=\"6112028\" data-element_type=\"widget\" data-widget_type=\"image-gallery.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-image-gallery\">\n\t\t\t<div id='gallery-1' class='gallery galleryid-1856 gallery-columns-3 gallery-size-medium'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"6112028\" data-elementor-lightbox-title=\"Souvenirs sold in shops at Belitong after release and booming of the film &quot;Laskar Pelangi&quot; (2008). Belitung Regency, the location of the shooting and where the true story of the novel authors, Andrea Hirata was crowded with tourists. This increases the regional economy in the tourism sector rapidly.\" href='https:\/\/kafein.or.id\/official\/wp-content\/uploads\/2021\/12\/FilmEkonomi-Souvenir-Belitong.jpg'><img width=\"500\" height=\"281\" src=\"https:\/\/kafein.or.id\/official\/wp-content\/uploads\/2021\/12\/FilmEkonomi-Souvenir-Belitong-500x281.jpg\" class=\"attachment-medium size-medium\" alt=\"Souvenirs sold in shops at Belitong after release and booming of the film &quot;Laskar Pelangi&quot; (2008). Belitung Regency, the location of the shooting and where the true story of the novel authors, Andrea Hirata was crowded with tourists. This increases the regional economy in the tourism sector rapidly.\" loading=\"lazy\" aria-describedby=\"gallery-1-1971\" srcset=\"https:\/\/kafein.or.id\/official\/wp-content\/uploads\/2021\/12\/FilmEkonomi-Souvenir-Belitong-500x281.jpg 500w, https:\/\/kafein.or.id\/official\/wp-content\/uploads\/2021\/12\/FilmEkonomi-Souvenir-Belitong-768x431.jpg 768w, https:\/\/kafein.or.id\/official\/wp-content\/uploads\/2021\/12\/FilmEkonomi-Souvenir-Belitong.jpg 1440w\" sizes=\"(max-width: 500px) 100vw, 500px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-1971'>\n\t\t\t\tSouvenir yang dijual di toko cinderamata di Belitong setelah kemunculan film Laskar Pelangi (2008). Setelah rilis dan booming film ini, Kabupaten Belitung, lokasi pengambilan gambar yang diambil dari kisah nyata penulis novelnya, Andrea Hirata ramai dikunjungi wisatawan. Hal ini meningkatkan ekonomi daerah di sektor pariwisata secara pesat \n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"6112028\" data-elementor-lightbox-title=\"Klinik Kopi flooded with visitors after come up as the nostalgic location of Cinta and Rangga&#039;s meeting in Ada Apa Dengan Cinta? 2 (2016). Located in Yogyakarta, although never counting the increase in income, Pepeng, the owner claims to no longer have difficulty with debt.\" href='https:\/\/kafein.or.id\/official\/wp-content\/uploads\/2021\/12\/FilmEkonomi-Klinik-Kopi.jpg'><img width=\"500\" height=\"281\" src=\"https:\/\/kafein.or.id\/official\/wp-content\/uploads\/2021\/12\/FilmEkonomi-Klinik-Kopi-500x281.jpg\" class=\"attachment-medium size-medium\" alt=\"Klinik Kopi yang dibanjiri pengunjung setelah muncul sebagai lokasi nostalgia pertemuan Cinta dan Rangga dalam Ada Apa Dengan Cinta? 2 (2016). Terletak di Yogyakarta, meski tidak pernah menghitung meningkatnya pendapatan, Pepeng, pemiliknya mengaku sekarang tidak lagi kesulitan dengan hutang.\" loading=\"lazy\" aria-describedby=\"gallery-1-1969\" srcset=\"https:\/\/kafein.or.id\/official\/wp-content\/uploads\/2021\/12\/FilmEkonomi-Klinik-Kopi-500x281.jpg 500w, https:\/\/kafein.or.id\/official\/wp-content\/uploads\/2021\/12\/FilmEkonomi-Klinik-Kopi-768x432.jpg 768w, https:\/\/kafein.or.id\/official\/wp-content\/uploads\/2021\/12\/FilmEkonomi-Klinik-Kopi.jpg 1440w\" sizes=\"(max-width: 500px) 100vw, 500px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-1969'>\n\t\t\t\tKlinik Kopi yang dibanjiri pengunjung setelah muncul sebagai lokasi nostalgia pertemuan Cinta dan Rangga dalam Ada Apa Dengan Cinta? 2 (2016). Terletak di Yogyakarta, meski tidak pernah menghitung meningkatnya pendapatan, Pepeng, pemiliknya mengaku sekarang tidak lagi kesulitan dengan hutang. \n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"6112028\" data-elementor-lightbox-title=\"Rising ticket prices of Bukit Rhema or known as Gereja Ayam (Chicken Church) after booming the film Ada Apa Dengan Cinta? 2 (2016). Previously this place was a privately owned prayer booth, after the located as one of the most iconic scene on AADC 2, the manager opened it officially as a tourist spot.\" href='https:\/\/kafein.or.id\/official\/wp-content\/uploads\/2021\/12\/FilmEkonomi-Harga-Tiket-Masuk-Bukit-Rhema.jpg'><img width=\"500\" height=\"281\" src=\"https:\/\/kafein.or.id\/official\/wp-content\/uploads\/2021\/12\/FilmEkonomi-Harga-Tiket-Masuk-Bukit-Rhema-500x281.jpg\" class=\"attachment-medium size-medium\" alt=\"Harga tiket masuk bukit Rhema\" loading=\"lazy\" aria-describedby=\"gallery-1-1967\" srcset=\"https:\/\/kafein.or.id\/official\/wp-content\/uploads\/2021\/12\/FilmEkonomi-Harga-Tiket-Masuk-Bukit-Rhema-500x281.jpg 500w, https:\/\/kafein.or.id\/official\/wp-content\/uploads\/2021\/12\/FilmEkonomi-Harga-Tiket-Masuk-Bukit-Rhema-768x431.jpg 768w, https:\/\/kafein.or.id\/official\/wp-content\/uploads\/2021\/12\/FilmEkonomi-Harga-Tiket-Masuk-Bukit-Rhema.jpg 1440w\" sizes=\"(max-width: 500px) 100vw, 500px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-1967'>\n\t\t\t\tNaiknya harga tiket masuk Bukit Rhema atau yang dikenal dengan Gereja Ayam setelah booming film Ada Apa Dengan Cinta? 2 (2016). Sebelumnya tempat ini adalah bilik doa milik pribadi, setelah booming AADC 2, pengelola membukanya secara resmi sebagai tempat wisata. \n\t\t\t\t<\/figcaption><\/figure>\n\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-6bff7f9 elementor-widget__width-auto elementor-widget elementor-widget-heading\" data-id=\"6bff7f9\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<div class=\"elementor-heading-title elementor-size-default\">click image to zoom in<\/div>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-2855873 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"2855873\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t\t\t<div class=\"elementor-row\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-0dc2f98\" data-id=\"0dc2f98\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-column-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t<div class=\"elementor-widget-wrap\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-3bfe668 elementor-widget-divider--view-line_text elementor-widget-divider--element-align-left elementor-widget elementor-widget-divider\" data-id=\"3bfe668\" data-element_type=\"widget\" data-widget_type=\"divider.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-divider\">\n\t\t\t<span class=\"elementor-divider-separator\">\n\t\t\t\t\t\t\t<h2 class=\"elementor-divider__text elementor-divider__element\">\n\t\t\t\tGender Disagregated Data Collection\t\t\t\t<\/h2>\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-11de526 elementor-widget__width-initial elementor-widget-mobile__width-inherit elementor-widget elementor-widget-image\" data-id=\"11de526\" data-element_type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-image\">\n\t\t\t\t\t\t\t\t\t<figure class=\"wp-caption\">\n\t\t\t\t\t\t\t\t\t\t<img width=\"768\" height=\"996\" src=\"https:\/\/kafein.or.id\/official\/wp-content\/uploads\/2020\/06\/We_Can_Do_It-768x996.jpg\" class=\"attachment-medium_large size-medium_large\" alt=\"Official Publication\" loading=\"lazy\" srcset=\"https:\/\/kafein.or.id\/official\/wp-content\/uploads\/2020\/06\/We_Can_Do_It-768x996.jpg 768w, https:\/\/kafein.or.id\/official\/wp-content\/uploads\/2020\/06\/We_Can_Do_It-386x500.jpg 386w, https:\/\/kafein.or.id\/official\/wp-content\/uploads\/2020\/06\/We_Can_Do_It.jpg 771w\" sizes=\"(max-width: 768px) 100vw, 768px\" \/>\t\t\t\t\t\t\t\t\t\t\t<figcaption class=\"widget-image-caption wp-caption-text\">This conference contributed to data and perspectives from other researchers related to the variety of women's issues in Indonesian film and cinema. <\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-e22302b ee-trigger-align--left elementor-widget__width-initial elementor-widget elementor-widget-unfold\" data-id=\"e22302b\" data-element_type=\"widget\" data-settings=\"{&quot;visible_percentage&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:40,&quot;sizes&quot;:[]},&quot;duration_unfold&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:0.5,&quot;sizes&quot;:[]},&quot;animation_unfold&quot;:&quot;Power4&quot;,&quot;easing_unfold&quot;:&quot;easeInOut&quot;,&quot;duration_fold&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:0.5,&quot;sizes&quot;:[]},&quot;animation_fold&quot;:&quot;Power4&quot;,&quot;easing_fold&quot;:&quot;easeInOut&quot;}\" data-widget_type=\"unfold.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<div class=\"ee-unfold\">\n\t\t\t<div class=\"ee-unfold__mask\">\n\t\t\t\t<div class=\"ee-unfold__content\">\n\t\t\t\t\t<p>The Indonesian Film Scholars Association (KAFEIN) since 2020 has been collecting and analyzing gender-disaggregated data in the Indonesian film industry. With support from the Japanese government and UNESCO, the project aims to initiate a policy towards gender equality status in the Indonesian film industry. We hope that, the Indonesian film industry will have a continuous gender-disaggregated database for as part of consideration for decision-making. Its series of activities includes the development and dissemination of frameworks and methodologies in two parts. First by creating a conference with the theme &#8220;Women in Indonesian Film and Cinema&#8221;. The conference is held virtually and could be entirely accessed <a href=\"https:\/\/kafein.or.id\/en\/filmgender\/\">here<\/a>.<\/p>\n<p>In addition to the conference, KAFEIN also developed consultations with film and gender stakeholders. In creating gender-disaggregated data, KAFEIN develops a framework by searching data through secondary sources <a href=\"http:\/\/filmindonesia.or.id\/\" target=\"_blank\" rel=\"noopener\">filmindonesia.or.id <\/a>sites and public catalogs prepared by film schools, festivals, and film professional organizations.<\/p>\n<p>Data shows that especially after the reformation era, women&#8217;s involvement has increased even though the percentage is still low. The most involvement of women in nine key professions in film production is no more than 20%. Women who received awards at the Indonesian Film Festival since 1955 are recorded at only 8%. On the contrary, a balanced figure was found in the number of women and men students in colleges with major study programs or film interests. Other data shows that the number of women who completed their studies and received scholarships was even more than men.<\/p>\n<p>Following up gender-disaggregated data, the research also recommends a number of action plans. The recommendation of the action plan are formulated by involving stakeholders in film, form Indonesian Film Board (BPI), the Association of Film Professions, and lecturer at higher institutions with film study programmes. The main objectives of the recommendation formulated as &#8220;achieving gender equality in Indonesian cinema&#8221; are divided into three goals. The first goal is to improve the working conditions of Indonesian film production and activities to make it ideal, safe and inclusive for all parties. The second goal is to encourage the participation of marginalized gender groups and other marginalized groups in Indonesian film production and activities. The third goal is to bring a gender perspective in filmmaking because balanced representation does not guarantee gender responsive films. At the end of 2021, the results of research and recommendations of this action plan have been successfully published in a book with the title &#8220;Towards Gender Equality of Indonesian Cinema: <em>Gender-Disagregated Data Analysis and Action Plan Recommendations.&#8221; <\/em>This book is ready to be accessed by the public for various interests to create an equal and inclusive Indonesian cinema.<\/p>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"ee-unfold__separator\"><\/div>\n\t\t\t<\/div>\n\t\t\t<div class=\"ee-unfold__trigger\">\n\t\t\t\t<span class=\"ee-button-wrapper\">\n\t\t\t\t\t<span class=\"ee-button ee-size-sm\">\n\t\t\t\t\t\t<span class=\"ee-button-content-wrapper\"><span class=\"ee-button-text\" data-close-label=\"Read less\" data-open-label=\"Read more\">Read more<\/span>\n\t\t<\/span>\n\t\t\t\t\t\t\t<\/span>\n\t\t\t\t<\/span>\n\t\t\t<\/div>\n\t\t<\/div>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-cc4a6e9 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"cc4a6e9\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t\t\t<div class=\"elementor-row\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-81a9cdf\" data-id=\"81a9cdf\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-column-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t<div class=\"elementor-widget-wrap\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-828ab39 elementor-widget-divider--view-line_text elementor-widget-divider--element-align-left elementor-widget elementor-widget-divider\" data-id=\"828ab39\" data-element_type=\"widget\" data-widget_type=\"divider.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-divider\">\n\t\t\t<span class=\"elementor-divider-separator\">\n\t\t\t\t\t\t\t<h2 class=\"elementor-divider__text elementor-divider__element\">\n\t\t\t\tDeveloping Of Curriculum Guidelines And Film Training Modules\t\t\t\t<\/h2>\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-6a83a10 gallery-spacing-custom elementor-widget elementor-widget-image-gallery\" data-id=\"6a83a10\" data-element_type=\"widget\" data-widget_type=\"image-gallery.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-image-gallery\">\n\t\t\t<div id='gallery-2' class='gallery galleryid-1856 gallery-columns-2 gallery-size-medium_large'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"6a83a10\" data-elementor-lightbox-title=\"The first technical meeting was conducted hybrid with the leaders and team members, manager and officer of this project. D&#039;Omah Yogyakarta, 6-8 March 2021.\" href='https:\/\/kafein.or.id\/official\/wp-content\/uploads\/2021\/12\/Penelitian-PPKMPF-01.jpg'><img width=\"768\" height=\"432\" src=\"https:\/\/kafein.or.id\/official\/wp-content\/uploads\/2021\/12\/Penelitian-PPKMPF-01-768x432.jpg\" class=\"attachment-medium_large size-medium_large\" alt=\"Pertemuan pertama technical meeting. D\u2019Omah Yogyakarta, 6- 8 Maret 2021.\" loading=\"lazy\" aria-describedby=\"gallery-2-1973\" srcset=\"https:\/\/kafein.or.id\/official\/wp-content\/uploads\/2021\/12\/Penelitian-PPKMPF-01-768x432.jpg 768w, https:\/\/kafein.or.id\/official\/wp-content\/uploads\/2021\/12\/Penelitian-PPKMPF-01-500x281.jpg 500w, https:\/\/kafein.or.id\/official\/wp-content\/uploads\/2021\/12\/Penelitian-PPKMPF-01.jpg 1440w\" sizes=\"(max-width: 768px) 100vw, 768px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-2-1973'>\n\t\t\t\tPertemuan pertama technical meeting. D\u2019Omah Yogyakarta, 6- 8 Maret 2021. \n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"6a83a10\" data-elementor-lightbox-title=\"The team agreed on content in the curriculum guideline and the film training module. Fellow members give each other their input and perspective\" href='https:\/\/kafein.or.id\/official\/wp-content\/uploads\/2021\/12\/Penelitian-PPKMPF-02.jpg'><img width=\"768\" height=\"432\" src=\"https:\/\/kafein.or.id\/official\/wp-content\/uploads\/2021\/12\/Penelitian-PPKMPF-02-768x432.jpg\" class=\"attachment-medium_large size-medium_large\" alt=\"Tim menyepakati konten apa yang akan termuat dalam panduan kurikulum maupun modul pelatihan film. Sesama anggota saling memberikan masukan dan perspektifnya.\" loading=\"lazy\" aria-describedby=\"gallery-2-1975\" srcset=\"https:\/\/kafein.or.id\/official\/wp-content\/uploads\/2021\/12\/Penelitian-PPKMPF-02-768x432.jpg 768w, https:\/\/kafein.or.id\/official\/wp-content\/uploads\/2021\/12\/Penelitian-PPKMPF-02-500x281.jpg 500w, https:\/\/kafein.or.id\/official\/wp-content\/uploads\/2021\/12\/Penelitian-PPKMPF-02.jpg 1440w\" sizes=\"(max-width: 768px) 100vw, 768px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-2-1975'>\n\t\t\t\tTim menyepakati konten apa yang akan termuat dalam panduan kurikulum maupun modul pelatihan film\n\t\t\t\t<\/figcaption><\/figure>\n\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-40b69d2 elementor-widget__width-auto elementor-widget elementor-widget-heading\" data-id=\"40b69d2\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<div class=\"elementor-heading-title elementor-size-default\">click image to zoom in<\/div>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-1697b6a elementor-widget elementor-widget-text-editor\" data-id=\"1697b6a\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-text-editor elementor-clearfix\">\n\t\t\t\t<p>In 2021, KAFEIN with the support of UNESCO and the Japanese government implemented two of the action plans that had been established from the gender-disggagregated data collection project in the previous year. Action plans adopted are the drafting of curriculum guidelines for film higher institutions and the preparation of filmmaking training modules for the filmmaker community. Both products are structured with a responsive to Gender and Social Inclusive (GESI) approach. KAFEIN recruited the head of a team of experts on gender and film experts <a href=\"https:\/\/kafein.or.id\/en\/profil\/39\/\" target=\"_blank\" rel=\"noopener\">Evi Eliyanah<\/a>\u00a0and filmmaker and film educator <a href=\"https:\/\/kafein.or.id\/en\/profil\/19\/\" target=\"_blank\" rel=\"noopener\">Panji Wibowo<\/a>. They were also supported by team members with similar studies and interests, <a href=\"https:\/\/kafein.or.id\/en\/profil\/121\/\" target=\"_blank\" rel=\"noopener\">Novi Kurnia<\/a>, <a href=\"https:\/\/kafein.or.id\/en\/profil\/42\/\" target=\"_blank\" rel=\"noopener\">IGAK. Satrya Wibawa<\/a>\u00a0and <a href=\"https:\/\/kafein.or.id\/en\/profil\/130\/\" target=\"_blank\" rel=\"noopener\">Eric Sasono<\/a>.<\/p>\n<p>The two products details are:<\/p>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<section class=\"elementor-section elementor-inner-section elementor-element elementor-element-7e3a2a5 elementor-section-full_width elementor-section-height-default elementor-section-height-default\" data-id=\"7e3a2a5\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t\t\t<div class=\"elementor-row\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-inner-column elementor-element elementor-element-c87e33b\" data-id=\"c87e33b\" data-element_type=\"column\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t<div class=\"elementor-column-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t<div class=\"elementor-widget-wrap\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-93aec0b elementor-position-left elementor-vertical-align-top elementor-widget elementor-widget-image-box\" data-id=\"93aec0b\" data-element_type=\"widget\" data-widget_type=\"image-box.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<div class=\"elementor-image-box-wrapper\"><div class=\"elementor-image-box-content\"><p class=\"elementor-image-box-title\">Guidelines to Integrating GESI Perspectives into the Curriculum, Teaching, and Learning Environment of Film Study Programs in Indonesia <\/p><p class=\"elementor-image-box-description\">This guideline is compiled from a response to fairly balanced women data at film colleges, but on the contrary, still imbalanced in the film industry. This guide is aimed at stakeholders and lecturers who teach in film undergraduate study programs (S1) or other study programs that are equivalent and have the potential to produce graduates to become film workers. This guide provides inspiration on how film study programs can intervene in the formal education of future film workers to be more sensitive and responsive to gender relations inequality and prioritize social inclusion in the industry, their works, and the implementation of other film activities. This has to be done to provide safe and diversity-friendly Indonesian cinema. This guideline is expected to be implemented in the next year with collaboration from the Association of Film and Television Programs (PROSFISI) throughout Indonesia.<\/p><\/div><\/div>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-inner-column elementor-element elementor-element-8ad86e5\" data-id=\"8ad86e5\" data-element_type=\"column\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t<div class=\"elementor-column-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t<div class=\"elementor-widget-wrap\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-bfb28f4 elementor-position-left elementor-vertical-align-top elementor-widget elementor-widget-image-box\" data-id=\"bfb28f4\" data-element_type=\"widget\" data-widget_type=\"image-box.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<div class=\"elementor-image-box-wrapper\"><div class=\"elementor-image-box-content\"><p class=\"elementor-image-box-title\">Basic Module on Gender Responsive and Socially Inclusive Filmmaking<\/p><p class=\"elementor-image-box-description\">The preparation of this module is a response to previous research that underlines the minimum participation of women in the Indonesian film industry. This module is structured as a basic knowledge before taking more specific filmmaking training. The preparation of the module considers gender equality and social inclusiveness both in the examples of film, film history, film elements to filmmaking practices. This is important to apply considering that cases of <a href=\"https:\/\/tirto.id\/pelecehan-seksual-di-industri-film-dan-suara-nyalang-mian-tiara-ey1Q\" target=\"_blank\" rel=\"noopener\">sexual harassment in film production<\/a> often occur. This module aims to provide a wide and diverse perspective for filmmakers, not just to create a safe space, but a more balanced representation of women. This module will be implemented in training with the filmmaking community with the support of film profession associations. In the next year, the Yogyakarta Film Association has been willing to be involved in realizing equality and inclusiveness in cinema.<\/p><\/div><\/div>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>KAFEIN as a professional film scholars and researchers association has conducted several research projects. KAFEIN members conduct research as teams and individually on topics relevant to their cross-disciplinary background. KAFEIN has members who have expertise in many field. With these available resources, KAFEIN is open to collaborations with research and cultural institutions interested in film [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"acf":[],"_links":{"self":[{"href":"https:\/\/kafein.or.id\/en\/wp-json\/wp\/v2\/pages\/1856"}],"collection":[{"href":"https:\/\/kafein.or.id\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/kafein.or.id\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/kafein.or.id\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kafein.or.id\/en\/wp-json\/wp\/v2\/comments?post=1856"}],"version-history":[{"count":0,"href":"https:\/\/kafein.or.id\/en\/wp-json\/wp\/v2\/pages\/1856\/revisions"}],"wp:attachment":[{"href":"https:\/\/kafein.or.id\/en\/wp-json\/wp\/v2\/media?parent=1856"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}